{"id":40,"date":"2019-04-15T18:37:00","date_gmt":"2019-04-15T18:37:00","guid":{"rendered":"https:\/\/benyaminperry.com\/?page_id=40"},"modified":"2022-08-11T04:58:27","modified_gmt":"2022-08-11T04:58:27","slug":"cv","status":"publish","type":"page","link":"https:\/\/benyaminperry.com\/index.php\/cv\/","title":{"rendered":"RESUME"},"content":{"rendered":"\n<p class=\"has-text-align-left has-text-color\" style=\"color:#767676;font-size:12px\"><strong>AUTODIDACT<\/strong><br> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>Lives in Li\u00e8ge, Belgium, a cross border region close to the Netherlands and Germany, and works at <a href=\"http:\/\/www.flacc.info\/en\">FLACC (B)<\/a> and the <a href=\"https:\/\/www.janvaneyck.nl\/en\/news\/\">Jan Van Eyck Academie<\/a>, <a href=\"https:\/\/www.janvaneyck.nl\/en\/labs\/charles-nypels-lab\/\">Charles Nypels Lab <\/a>(NL)<br> &nbsp;<\/p>\n\n\n\n<p class=\"has-text-align-left has-text-color\" style=\"color:#767676;font-size:12px\"><br><span style=\"text-decoration: underline;\"><strong>SOLO EXHIBITIONS<\/strong><\/span><br> &nbsp;<br><strong>2019&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>P37 Gallery &#8211; Liege (B) <br>Void<br>Opening by Ad Himmelreich, Curator of the Provincial Art Collection<br> &nbsp;<br><strong>2017&nbsp;&nbsp;&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>Museum van Bommel van Dam, Venlo (NL) <br>Void, Desire &amp; Undefined Darkness \u2013 Extended version <br>Curated by Ad Himmelreich Curator of the Provincial Art Collection and Tonn Prins <br> &nbsp;<br><strong>2017&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>The Government, The house of the Province of Limburg, Maastricht (NL)<br>Void, Desire &amp; Undefined Darkness<br>Curated by Ad Himmelreich, Curator of the Provincial Art Collection and Tonn Prins<br>Opening by Stijn Huijts Director Bonnefantenmuseum<br> &nbsp;<br><strong>2017 <\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>The Province of Li\u00e8ge, Soci\u00e9t\u00e9 Libre D\u2019Emulation asbl, Liege (B)<br>In Absentia (Don\u2019t Shout!) &#8211; Installation in situ <br>Opening by Ad Himmelreich Curator of the Provincial Art Collection<br> &nbsp;<br><strong>2016 <\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>Kumulus, Centre for Arts Education Center for &nbsp;Maastricht (NL) <br>Nachtoog<br> &nbsp;<br><strong>2011 <\/strong>&nbsp;&nbsp;&nbsp; <br>Caf\u00e9 Zondag, Maastricht (NL)<br>Eidolon Marocaine, Fifi et les Autres<br> &nbsp;<br> &nbsp;<br><span style=\"text-decoration: underline;\"><strong>GROUP EXHIBITIONS <\/strong><\/span><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#767676;font-size:12px\"><strong>2021<\/strong><br>Huis van de Fotografie &#8211; Rotterdam (NL)<br>\u2018How sweet life is\u2019 organized by DebSaysYes<br>Curated by Hans Withoos<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#767676;font-size:12px\"><strong>2020<\/strong><br>Rosalux Artspace &#8211; Berlin (Ger)<br>\u2018Zwischenraume\u2019 organized by DebSaysYes<br>Curated by Cigdem Caglayan<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#767676;font-size:12px\"><strong>2020<\/strong><br>P 37 Gallery &#8211; Li\u00e8ge (B)<br>\u2018Before the Day after&#8217; <br>Curated by Djos Janssens<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#767676;font-size:12px\"><strong>2020<\/strong><br>Limburg Biennial, Marres House for Contemporary Culture &#8211; Maastricht (NL)<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#767676;font-size:12px\"><strong>2020<\/strong><br>WTC Art The Hague Gallery &#8211; The Hague (NL)<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#767676;font-size:12px\"><strong>2019&nbsp;<\/strong><br>Art the Hague &#8211; Den Haag (NL)<\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#767676;font-size:12px\"><strong>2019&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>Maastricht Photo Festival &#8211; Maastricht (NL)<br><br><strong>2018<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>Kunstdagen Wittem \/ In Perpetuum Volatile &#8211; Wittem (NL)<br>On Death, Dataism &amp; Re-defining Asceticism<br> &nbsp;<br><strong>2018&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>PlateauKunst, Wanda Reiff &#8211; Margraten (NL)<br> &nbsp;<br><strong>2012&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>Jan van Eyck Academie, Maastricht (NL)<br>Secret Postcards <br> &nbsp;<br><strong>2011&nbsp;&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>Schunck Newseum @ Pinkpop &#8211; Landgraaf (NL)<br>Lullabies from the Fridge I <br>Curated by Stijn Huijts Director of Schunck<br> &nbsp;<br><strong>2010&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>KuS &#8211; Arts Center Signe, Heerlen (NL)<br>Status Quo <br>Curated by Romy Finke<br> &nbsp;<br><br><span style=\"text-decoration: underline;\"><strong>PUBLICATION &amp; MEDIA<\/strong><\/span><\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#767676;font-size:12px\"><strong>2020&nbsp;&nbsp;&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>La Libre &#8211; review in art supplement by Gwenna\u00eblle Gribaumont &#8211; Newspaper (B)&nbsp;<br>HART &#8211; by Colette Dubois &#8211; Artmagazine (B)<br>A Government with Art II \u2013 Artbook by Ad Himmelreich \/ The Province of Limburg (NL) &nbsp; <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#767676;font-size:12px\"><strong>2017&nbsp;&nbsp;&nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>Alchemy by Wido Smeets &#8211; Zuiderlucht, Art &amp; Culture Magazine (NL)<br>North Limburg in deep black by Caspar Cillekens &#8211; De Limburger, newspaper (NL)<br>Cow Girl by Stijn Huijts, Director Bonnefantenmuseum &#8211; De Limburger, newspaper (NL)<br>L1 De Stemming by Cyrille Offermans \u2013 Essayist, Art &amp; Culture Critic &#8211; radio review (NL)<br>60 Minutes by Tieneke Versteghen \u2013 Radio Venlo, radio interview (NL)<br>L1 Cultuurcaf\u00e9 by Mark Theunissen &nbsp;@ Museum Van Bommel van Dam &#8211; radio interview (NL)<br> &nbsp;<br><strong>2016 &nbsp;<\/strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <br>A Government with Art \u2013 Artbook by Ad Himmelreich \/ The Province of Limburg (NL)<br>Die Nacht #19, Magazine for Photography, Design &amp; Subculture \u2013 Supplement, Special Limited Riso Zine, Ed # 50 (GER)<br> &nbsp;<br> &nbsp; <\/p>\n\n\n\n<p class=\"has-text-color\" style=\"color:#767676;font-size:12px\"><br> &nbsp; <\/p>\n\n\n\n<div style=\"height:284px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>AUTODIDACT &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Lives in Li\u00e8ge, Belgium, a cross border region close to the Netherlands and Germany, and works at FLACC (B) and the Jan Van Eyck Academie, Charles Nypels Lab (NL) &nbsp; SOLO EXHIBITIONS &nbsp;2019&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; P37 Gallery &#8211; Liege (B) VoidOpening by Ad Himmelreich, Curator of the Provincial Art Collection &nbsp;2017&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Museum van Bommel van [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"spay_email":""},"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v14.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>RESUME - BENYAMIN PERRY<\/title>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/benyaminperry.com\/index.php\/cv\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"RESUME - BENYAMIN PERRY\" \/>\n<meta property=\"og:description\" content=\"AUTODIDACT &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Lives in Li\u00e8ge, Belgium, a cross border region close to the Netherlands and Germany, and works at FLACC (B) and the Jan Van Eyck Academie, Charles Nypels Lab (NL) &nbsp; SOLO EXHIBITIONS &nbsp;2019&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; P37 Gallery &#8211; Liege (B) VoidOpening by Ad Himmelreich, Curator of the Provincial Art Collection &nbsp;2017&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Museum van Bommel van [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/benyaminperry.com\/index.php\/cv\/\" \/>\n<meta property=\"og:site_name\" content=\"BENYAMIN PERRY\" \/>\n<meta property=\"article:modified_time\" content=\"2022-08-11T04:58:27+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/benyaminperry.com\/#\/schema\/person\/5156da60ab94eaa0397e3e9dbdc3a80e\",\"name\":\"Benyamin Perry\",\"image\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/benyaminperry.com\/#personlogo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/secure.gravatar.com\/avatar\/368fd5b2eba7af70545f9420671d6c56?s=96&d=mm&r=g\",\"caption\":\"Benyamin Perry\"},\"logo\":{\"@id\":\"https:\/\/benyaminperry.com\/#personlogo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/benyaminperry.com\/#website\",\"url\":\"https:\/\/benyaminperry.com\/\",\"name\":\"BENYAMIN PERRY\",\"description\":\"\",\"publisher\":{\"@id\":\"https:\/\/benyaminperry.com\/#\/schema\/person\/5156da60ab94eaa0397e3e9dbdc3a80e\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":\"https:\/\/benyaminperry.com\/?s={search_term_string}\",\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/benyaminperry.com\/index.php\/cv\/#webpage\",\"url\":\"https:\/\/benyaminperry.com\/index.php\/cv\/\",\"name\":\"RESUME - BENYAMIN PERRY\",\"isPartOf\":{\"@id\":\"https:\/\/benyaminperry.com\/#website\"},\"datePublished\":\"2019-04-15T18:37:00+00:00\",\"dateModified\":\"2022-08-11T04:58:27+00:00\",\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/benyaminperry.com\/index.php\/cv\/\"]}]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/PaTSuz-E","_links":{"self":[{"href":"https:\/\/benyaminperry.com\/index.php\/wp-json\/wp\/v2\/pages\/40"}],"collection":[{"href":"https:\/\/benyaminperry.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/benyaminperry.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/benyaminperry.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/benyaminperry.com\/index.php\/wp-json\/wp\/v2\/comments?post=40"}],"version-history":[{"count":34,"href":"https:\/\/benyaminperry.com\/index.php\/wp-json\/wp\/v2\/pages\/40\/revisions"}],"predecessor-version":[{"id":839,"href":"https:\/\/benyaminperry.com\/index.php\/wp-json\/wp\/v2\/pages\/40\/revisions\/839"}],"wp:attachment":[{"href":"https:\/\/benyaminperry.com\/index.php\/wp-json\/wp\/v2\/media?parent=40"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/benyaminperry.com\/index.php\/wp-json\/wp\/v2\/tags?post=40"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}